Large-Diaphragm Tube Condenser Microphone, Essential Pack: 1 in (25.4 mm) Gold-Sputtered Capsule, Cardioid, Side-Address, Hand-Selected ECC82/12AU7 Tube, Semiconductor- & Capacitor-Free Path, 7 dB(A) Self-Noise, 132 dB Max SPL, 7-Pin XLR to External PSU, Includes PSU + 16.4 ft Cable + Mount + Bag
All products manufactured by LEWITT GmbH feature a limited two-year warranty. This two-year warranty is specific to the date of purchase as shown on the original purchase receipt.
The Lewitt PURE TUBE Essential Set is a large-diaphragm tube condenser microphone package built around a genuine vacuum-tube signal path and a 1-inch gold-sputtered capsule. It is a cardioid, side-address studio microphone whose defining claim is purity: a hand-selected ECC82/12AU7 tube and a signal path free of semiconductors and coupling capacitors, feeding an ultralow 7 dB(A) of self-noise. The Essential pack gives you the working core — the microphone, its external power supply, a 16.4-foot 7-pin cable, a mount, and a bag — everything required to put warm, quiet tube tone on a source, in one box. From the first take, it lends a voice or an acoustic that unmistakable tube character with almost no noise underneath it.
A tube condenser uses a vacuum tube as the active element that amplifies the tiny signal from its charged capsule. Tubes color sound in a way engineers have prized for decades: as levels rise they add gentle, musical harmonic content and a natural sense of warmth and dimension, rounding transients rather than hardening them. The PURE TUBE runs a hand-selected ECC82 tube — also known as the 12AU7 — for exactly that reason, to give the microphone a rich, dimensional character on the way in, the kind of sound that makes vocals feel bigger and more finished than a clean solid-state mic tends to. Because a tube runs hot and needs specific voltages, the microphone draws its power from a dedicated external supply rather than standard phantom power.
The name PURE TUBE points to an unusually clean circuit philosophy. Most microphones route their signal through transistors and coupling capacitors, each of which subtly shapes the sound; the PURE TUBE deliberately leaves them out, keeping the signal path free of semiconductors and capacitors so the tube and the transformer do the work with as little in between as possible. The result is a directness of tone — the capsule and tube, and little else — that engineers describe as open and uncolored despite the warmth, letting the character of the source and the musicality of the tube come through without the fingerprints of extra electronics.
Tube microphones have historically traded some quietness for their tone, which makes the PURE TUBE's specification remarkable: just 7 dB(A) of self-noise. Self-noise is the small amount of hiss a microphone generates on its own, and the lower it is, the cleaner your quiet passages and the more usable the microphone on delicate, intimate sources. At 7 dB(A) the PURE TUBE is exceptionally quiet even by solid-state standards, let alone for a tube design — so you get the warmth and dimension of the tube without the veil of noise that once came with it. Whispered vocals, soft acoustic passages, and detailed voiceover stay clean.
Every directional microphone exhibits proximity effect — a build-up of bass as a source moves in close — which can be flattering on some voices and boomy on others. The PURE TUBE addresses it with a transformer-based filter that balances proximity effect, taming that low-end rise so a singer can work close to the capsule for intimacy and presence without the sound turning muddy. It is a hardware solution built into the signal chain, keeping the low end controlled at the source rather than leaving it for corrective EQ later.
The microphone is a true large-diaphragm design: a 1-inch (25.4 mm) gold-sputtered capsule in a side-address body with a fixed cardioid pattern. Large diaphragms are the classic choice for lead vocals because they capture a full, weighty low end and a flattering midrange, and the cardioid pattern rejects the room behind the singer to keep the recording tight and present. Side-address means you sing into the face of the microphone as it stands upright on the mount, the familiar studio-vocal posture. Together the big capsule, the cardioid focus, and the tube front end give the PURE TUBE its signature large, warm, up-front sound.
The PURE TUBE comes in two configurations, and this is the Essential pack: the microphone, its dedicated external power supply, a 16.4-foot (5 m) 7-pin cable to connect them, a microphone mount, and a carrying bag — the complete working core needed to record. The step-up Studio set adds the premium Shockmount XL and Pop Filter XL, which the Essential pack leaves off to focus on the essentials. If you already own a shock mount and pop filter, or want the tube microphone and its power supply at the most direct configuration, the Essential set is the straight path to the sound.
The PURE TUBE is first and foremost a lead-vocal microphone: its warmth, dimension, and ultralow noise flatter singers and make a finished-sounding vocal easy to capture. That same combination makes it excellent for voiceover and spoken word, where the tube character adds richness and authority to a voice, and for detailed acoustic sources — acoustic guitar, strings, and other instruments that reward a large-diaphragm condenser's full, warm capture. Wherever you want tube tone with a genuinely quiet background, this microphone earns its place.
The Essential set is for the vocalist, producer, or studio that wants real vacuum-tube character without the noise penalty tubes used to carry — the singer chasing a warm, dimensional lead vocal, the voiceover artist who wants richness and authority, and the engineer who values a signal path stripped of semiconductors and capacitors. It is for the buyer who wants the microphone and its power supply in one working package at the most direct configuration, and who does not need the Studio set's premium shock mount and pop filter. If you have wanted the sound of a tube microphone but not the hiss, the PURE TUBE Essential set is the answer, ready to record the moment it is powered up.
| MPN | PURETUBE-ES |
|---|---|
| Color | Black |
| Element | Tube Condenser |
| Pattern | Cardioid |
| Power Source | External Power Supply |
| Size | 25mm |
| Form | Large Diaphragm |
| Output | XLR |
| Channels | Mono |
| UPC / EAN | 847986002365 |
| Brand | Lewitt Audio |
| Product Condition | New |
| Availability | In Stock |
| Type | Large-diaphragm tube condenser |
| Polar Pattern | Cardioid |
| Address | Side-address |
| Capsule | 1 in (25.4 mm), gold-sputtered |
| Tube | Hand-selected ECC82 / 12AU7 |
| Signal Path | Free of semiconductors and coupling capacitors |
| Self-Noise | 7 dB(A) |
| Max SPL | 132 dB |
| Proximity Control | Transformer-based filter |
| Connector | 7-pin XLR to external power supply |
| Power | Dedicated external power supply (included) |
| Pack | Essential (Studio set adds Shockmount XL + Pop Filter XL) |
| Includes | Microphone, external power supply, 16.4 ft (5 m) 7-pin cable, mic mount, bag |