24-bit/192kHz Conversion, -127dBu EIN Preamp, Air Mode with Presence + Harmonic Drive, Dynamic Gain Halos, Hi-Z Instrument Input, Bus-Powered USB-C, Hitmaker Expansion Software, Cardioid Dynamic Capsule, 36mm Large Diaphragm, 50Hz-18kHz Response, WSU-1 Foam Windscreen Included, Weighted Tripod Mic Stand, 9.25-13 Inch Telescoping Height, All-Metal Build, 10-Foot Balanced XLR Cable, Male to Female 3-Pin XLR
This bundle is a complete first-mic-and-interface chain assembled around the Focusrite Scarlett Solo (4th Gen) — the USB-C audio interface that has been the single most-recommended starter product in home recording for over a decade, now in its newest generation. Paired with the Zoom ZDM-1 cardioid dynamic podcast microphone, a Gator Frameworks weighted desktop tripod mic stand, and a 10-foot balanced XLR cable, this kit ships with every piece a buyer needs to sit down at a desk and record broadcast-quality vocals into a laptop or desktop on day one. No second purchase, no missing adapter, no ""needs a stand"" surprise.
The Solo's 57 dB preamp gain comfortably drives the ZDM-1's -56 dB dynamic sensitivity — a pairing that simply works without inline preamp boosters or cloud-style gain helpers. The interface runs at 24-bit/192kHz conversion with a -127dBu EIN preamp noise floor, which means the noise added by the interface itself is below what any home-recording listener will ever hear. Air mode, modeled on Focusrite's ISA console hardware, adds a clean presence lift and a touch of harmonic drive to vocal takes — one button, no plugins, no tweaking.
USB condenser microphones pick up ceiling fans, neighbors, keyboard clatter, and HVAC. The ZDM-1 does not. Its cardioid dynamic capsule rejects everything outside a tight forward arc, and its 50Hz-18kHz response captures the full speaking voice with a controlled presence lift. The included WSU-1 foam windscreen handles plosives at the source — no $25 pop filter needed on day one. For podcasters, voice-over artists, and singer-songwriters recording in untreated rooms, this is the capsule that finally makes home recordings sound like studio recordings.
Boom arms are the default first accessory recommendation — until the desk is glass, the workspace is shared, or the buyer simply doesn't want hardware permanently mounted. The Gator Frameworks GFW-MIC-0250 telescopes from 9.25 to 13 inches on a 1-pound weighted tripod base with rubberized feet, which is the exact height range a seated speaker needs from a standard desk. The legs fold flat for travel. The 5/8 inch-27 mic thread (with 3/8 inch adapter included) fits every standard microphone clip on the market.
The included 10-foot SSAV-MIC-10 balanced XLR cable is the connection between the ZDM-1 and the Scarlett Solo's combo XLR/TRS input. Balanced 3-pin male-to-female with full shield — common-mode rejection cancels electrical hum and RF interference across the entire run. Ten feet is the right length for desk-to-interface routing whether the interface sits on the desk or behind the monitor. No upgrade required.
The signal flow is intentionally simple. The ZDM-1 sits on the GFW-MIC-0250 at mouth height. The XLR cable runs to the Scarlett Solo's combo input. The Solo connects to a laptop via the included USB-C cable. Gain set, Air mode optional, headphones plugged into the front-panel output, and the user is recording. Direct monitoring on the Solo means zero perceptible latency in the headphone mix. Hitmaker Expansion software ships with the Solo — Ableton Live Lite gets the buyer recording immediately, the Antares Auto-Tune Access plugin handles vocal correction, and the bundled effects suite covers reverb, delay, and compression out of the box.
If this is your first recording setup, every cable, stand, software license, and accessory is in the box — the kit answers the ""what else do I need?"" question before it gets asked. If you have been recording with a USB condenser into a noisy room, the dynamic capsule and balanced signal chain are the upgrade that finally makes recordings sound clean. If you are a singer-songwriter, voice-over artist, podcaster, or streamer who has been comparing interface bundles for weeks, the Scarlett Solo 4th Gen is the most widely-recommended interface in home recording for a reason — and this bundle pairs it with the microphone, stand, and cable that put it to immediate use.
| MPN | Scarlett Solo 4G, ZDM-1, GFW-MIC-0250, XLR |
|---|---|
| Color | Red |
| UPC / EAN | 345629729063 |
| Brand | Focusrite |
| Product Condition | New |
| Availability | In Stock |
| Interface Resolution | 24-bit / 192kHz |
| Preamp EIN | -127dBu (low-noise) |
| Preamp Gain Range | 57 dB |
| Inputs | 1x Combo XLR/TRS, 1x Hi-Z Instrument |
| Outputs | 2x Balanced TRS, 1x Headphone (1/4 inch) |
| USB Connection | USB-C (Bus-Powered) |
| Microphone Type | Cardioid Dynamic (Zoom ZDM-1) |
| Microphone Frequency Response | 50Hz – 18kHz |
| Microphone Diaphragm | 36mm Large Diaphragm |
| Mic Stand Height Range | 9.25 inch – 13 inch (telescoping) |
| Mic Stand Base | Weighted Tripod, Rubberized Feet |
| XLR Cable Length | 10 Feet – Balanced, Male to Female |