Rode RODECaster Pro II Color-Coded 4-Host Studio Bundle with 4x Rode PodMic Dynamic Broadcast Microphones, 4x Rode PSA1+ Studio Boom Arms, 4x StreamEye Cans50 Studio Headphones, 4x Color-Matched Rode XLR Cables, and 4x Color-Matched WS14 Pop Filters

The Rode RODECaster Pro II Color-Coded 4-Host Studio Bundle

This bundle is the entire end-to-end signal chain for a 4-host podcast or live-streaming studio, color-coded by host so signal flow is identifiable at a glance on the mixer and across the room. At the center is the Rode RODECaster Pro II — a 9-channel integrated audio production studio with four broadcast-grade Revolution Preamps, onboard APHEX, NEVE, and dbx processing, and 14-track multitrack USB recording. Around it are four PodMic dynamic broadcast microphones, four PSA1+ professional boom arms, four StreamEye Cans50 closed-back studio headphones, and the color story — four 9.8-foot balanced XLR cables in Orange, Green, Red, and Blue with four matching WS14 foam pop filters in the same four colors. Each host's mic, cable, and windscreen all share one color. The result is a studio that is operational the moment it is unboxed and visually unambiguous from session one.

RODECaster Pro II: A 9-Channel Console Built for Multi-Host Podcasting

The RODECaster Pro II is purpose-built for what this bundle assembles around it. Six physical broadcast-quality faders run the four host mics plus two additional channels for music, callers, or sound effects. Three additional virtual channels handle stream music, sound pads, or guest audio. Each of the four combo XLR/1/4-inch inputs hosts a Revolution Preamp delivering -131.5 dBV EIN — enough gain to drive the PodMic to broadcast level without inline preamp accessories, and enough headroom that no host's voice clips on the loudest laugh. The 9.7-inch full-color touchscreen displays per-channel levels, processing settings, and pad triggers in real time.

APHEX, NEVE, and dbx Processing on Every Channel

Each host's input gets studio-quality processing baked in — APHEX Aural Exciter and Big Bottom for vocal warmth and presence, NEVE-style EQ and compression for broadcast-ready dynamics, dbx noise gate to cut keyboard click and HVAC drone between phrases, and a de-esser to tame sibilance on bright voices. No plugin chain, no outboard rack, no post-production cleanup of the source signal. The voice that lands in the recording is already mix-ready. For a podcast team without an audio engineer, this is the feature that turns a four-mic setup into a publishable show.

14-Track Multitrack USB Recording for Post-Production Flexibility

One USB-C cable carries 14 separate audio tracks from the RODECaster Pro II to a Mac or Windows computer running any DAW. Each host's mic is captured on its own track, every music bed is a separate track, every effect pad lands on its own track, and the full mix is recorded simultaneously. Stem-based post-production becomes possible without a complex routing setup — the editor can drop, mute, or re-mix any host individually without touching the others. For shows that publish a polished edit, this is the workflow advantage that makes the RODECaster Pro II worth its premium over a stereo-only mixer.

4x PodMic: Broadcast Voice on Every Host Channel

Every host gets a PodMic — Rode's cardioid dynamic broadcast microphone with an internal pop filter and shockmount built into the body. The tight cardioid pattern rejects off-axis sound, so the host two feet away on the same desk doesn't bleed into their neighbor's track. The dynamic capsule shrugs off untreated rooms — no acoustic panels, no booth, no foam. The integrated pop filter handles plosives without an external pop screen blocking the camera. Four identical mics also means a consistent tonal signature across all four hosts: the show sounds cohesive, not like four different recordings stitched together.

4x PSA1+: Silent Boom Arms with a 37-Inch Horizontal Reach

Each PodMic mounts on a Rode PSA1+ professional studio boom arm. The parallelogram spring mechanism — Rode's flagship arm design — keeps the mic at any angle without spring creak or friction noise during repositioning. The 37-inch horizontal reach and 34-inch vertical reach let each host pull the mic into position without the arm crossing into the neighboring host's frame. The 950g maximum load capacity has plenty of margin for the PodMic plus the cable. Integrated cable management routes the XLR cleanly along the arm rather than dangling across the desk. Includes a desk clamp for desks up to 2.8 in thick and a threaded desk insert for thicker surfaces.

4x StreamEye Cans50: Per-Host Closed-Back Monitoring

Four pairs of StreamEye Cans50 closed-back studio headphones plug into the RODECaster Pro II's four independent headphone outputs. Each host monitors their own mix — their voice, the other hosts, the music beds, and the effect pads — without any of it leaking back into their own mic. The 50mm drivers cover 15 Hz to 25 kHz, the 32Ω impedance is friendly to the RODECaster Pro II's headphone amps without needing an external amp, and the closed-back design provides the passive isolation that broadcast monitoring requires. Each pair includes a 1/4-inch adapter for the RODECaster Pro II's full-size jack.

The Color Story: Orange, Green, Red, and Blue Per Host

This is the bundle's operational differentiator. One host is assigned Orange — Orange XLR cable from mic to mixer, Orange WS14 pop filter on the PodMic. The second host is Green. The third is Red. The fourth is Blue. The cable colors are identifiable on the back of the mixer at a glance; the windscreen colors are identifiable on camera and across the room. When a host's channel is quiet, the host whose Orange windscreen sits in front of them knows to check the Orange cable on the back of the mixer. Patch errors during live recording drop to near zero, troubleshooting takes seconds, and the on-camera aesthetic is built in from the unbox.

Who This Is For

For the four-person podcast team launching a flagship show with broadcast production value from episode one. For the broadcast studio upgrading from a stereo mixer to a true multitrack 4-host workflow with per-host processing. For the live streaming team running a four-host panel where on-camera color coding sells the production polish. For the buyer comparing this bundle against assembling the same parts piecemeal — every cable, arm, mic, headphone, and pop filter that is required for the setup is in this box, color-coded and tagged to a specific host position. Plug in, assign colors, and start recording.