Broadcast Dynamic Cardioid Capsule, 20 Hz – 20 kHz Frequency Response, 320 Ω Output Impedance, Internal Pop Filter, Internal Shockmount, Integrated Swing Mount, XLR Output, No Phantom Power Required, All-Metal Body with Stainless Steel Grille, 27″ Aluminum Boom Arm Reach, 2.8 lb Arm Capacity, Quiet External Tension Springs, Desk Clamp up to 2.95″ Thick, Detachable Universal Mic Clip with 3/8″ and 5/8″ Thread Adaptors, 10-Foot Balanced XLR Cable (Male-to-Female, Common-Mode Rejection)
This bundle is the starting point for the desktop podcaster, streamer, or voice-over artist who already has monitoring (or doesn't need it) and just needs the mic, the arm to hold it, and the cable to connect it to an interface. The Rode PodMic is the hero — a dynamic cardioid broadcast microphone with an internal pop filter, internal shockmount, and an integrated swing mount that lock together to deliver clean voice from an untreated room. The StreamEye BOOMARM1 positions the mic at speaking distance without a floor stand cluttering the desk. The SSAV-MIC-10 10-foot balanced XLR cable wires the PodMic to your interface with common-mode rejection so the signal stays clean from the capsule all the way to your DAW. Add an audio interface and you're recording.
Condenser microphones are extraordinarily sensitive — which is what makes them the right choice in a treated studio and the wrong choice in your apartment, bedroom, or shared office. The PodMic's dynamic capsule needs you closer to the diaphragm to drive it, and that proximity is the feature, not the limitation. Speaking 1 to 4 inches off the grille fills your voice with low-end warmth and lets the cardioid pattern do its job: anything off-axis to the front is attenuated. The keyboard, the fan, the air conditioner, the dog — none of it makes it into the recording. The 320 Ω output impedance feeds standard interface preamps with healthy headroom — louder and easier to drive than the Shure SM7B at a fraction of the price.
The PodMic is engineered as a complete package. The dual-mesh housing acts as the pop filter — plosives are absorbed before the capsule hears them, so the recording stays clean on close-mic P and B consonants without a gooseneck pop screen blocking the on-camera shot. The capsule is internally suspended on the swing mount; the swing mount is internally decoupled from the body. Desk thumps, mouse clicks, and arm-adjustment handling noise stay out of the audio. Two accessories most condenser microphone setups require are already inside this body.
The PodMic weighs 865 g — heavy enough to demand a real boom arm, not a desk tripod. The StreamEye BOOMARM1 is built around exactly this load class. 27 inches of horizontal reach extends from the desk clamp to the mic tip, long enough to position the PodMic at speaking distance regardless of where your camera and monitor sit. 2.8 lb capacity holds the PodMic without sag. Aluminum-alloy construction with external tension springs delivers a strong, quiet adjustment — no spring twang in your recording when you reposition mid-session. The detachable universal mic clip fits the PodMic's integrated swing mount, and the included 3/8″ and 5/8″ thread adaptors keep the arm compatible with any future broadcast or condenser mic. The desk clamp fits any edge up to 2.95 inches thick.
The PodMic outputs over XLR. The interface inputs are XLR. The cable in between has to be balanced and the right length — too short and you can't route around your desk, too long and you're coiling slack into the recording space. The SSAV-MIC-10 is 10 feet of balanced 3-pin XLR cable, male-to-female, with full shield and common-mode rejection that eliminates hum, buzz, and RF interference from the signal path. Long enough to run from the boom arm clamp down through cable management and back to a desktop or shelved audio interface. Short enough not to coil.
BOOMARM1 clamps to your desk and reaches the PodMic to within 4 inches of your mouth. The PodMic captures voice with broadcast warmth and rejects the rest of the room. The SSAV-MIC-10 XLR cable carries that signal to your audio interface (any interface with an XLR input works — Focusrite Scarlett, AI-1, RODECaster, Streamer X). Your interface digitizes the signal and routes it to your laptop. Adjust the mic angle silently mid-session using the BOOMARM1's tension springs. The arm holds position. The mic stays in front of your mouth. The cable stays out of the shot. This is a desktop podcast and streaming rig assembled around the PodMic's specific strengths.
For the new podcaster who wants the broadcast sound and already has a pair of headphones from a previous setup. For the streamer who has monitoring sorted and just needs the mic and the arm. For the voice-over artist working from a home office who needs the wired chain without paying for accessories they already own. And for the buyer comparing the PodMic to the Shure SM7B who learns the PodMic is louder out of the box, doesn't need a cloud lifter, and arrives with the arm and cable to start recording for less than the SM7B costs by itself. Sit down. Plug into your interface. Record.
| MPN | PodMic, BOOMARM1, XLR, Cloth |
|---|---|
| Color | Black |
| UPC / EAN | 656485102670 |
| Brand | Rode |
| Product Condition | New |
| Availability | In Stock |
| Microphone Type | Dynamic, Cardioid Broadcast |
| Frequency Response | 20 Hz – 20 kHz |
| Output Impedance | 320 Ω |
| Output Connection | 3-pin XLR, Balanced (No Phantom Required) |
| Pop Filter and Shockmount | Internal — Built Into Body |
| Microphone Weight | 865 g (1.9 lb) |
| Boom Arm Type | Aluminum Alloy, External Tension Springs |
| Boom Arm Reach | 27″ Horizontal |
| Boom Arm Capacity | 2.8 lb (1.27 kg) |
| Boom Arm Desk Clamp | Fits Edges Up to 2.95″ Thick |
| Mic Clip | Detachable Universal Clip — 3/8″ and 5/8″ Thread Adaptors |
| XLR Cable | 10 Feet — Balanced 3-Pin, Male-to-Female |