On-Stage Stands MS7701B Euro Boom Tripod Microphone Stand with Removable 30-Inch Boom (Black)

On-Stage MS7701B: The Tripod Boom Stand That Just Works, Session After Session

The On-Stage MS7701B is the working microphone stand the recording industry leans on when a vocal session, a podcast, a voiceover booking, or a live performance needs a stand that locks at the right height, holds a microphone steady, and folds flat for the next move. Height range from 36 to 64 inches covers a seated vocalist, a standing performer, and overhead instrument positions on the same stand. The 30-inch boom is removable for straight-stand applications. The 23-inch base spread keeps the stand stable even with the boom extended fully and a heavier large-diaphragm microphone on the end. Five-point-two pounds total weight makes it carry-friendly for studio rotation and travel.

The Euro-Style Steel Clutch Is the Reason This Stand Outlasts Its Price

Most microphone stands fail at the height-adjustment clutch. Plastic clutches strip. Friction-only clutches creep. Squeeze-clutch designs need two hands and frequent re-tightening. The MS7701B uses a single-handed Euro-style steel midpoint clutch — twist to release, slide to height, twist to lock — that grips the height position and holds it without re-tightening between adjustments. Studio engineers and live techs who have used this stand for years confirm the clutch is the part that survives daily session abuse. Buy this stand once and it stays in rotation for a decade.

The 30-Inch Removable Boom Arm Extends Mic Placement Without Crowding the Performer

The MS7701B's boom arm extends 30 inches from the stand body — long enough to position a microphone over a guitar amp, in front of a seated vocalist, or above a drum kit without the stand intruding on the player's space. The boom is removable, which converts the stand into a straight floor stand in seconds for kick-drum miking, vocal floor work, or any application where a boom is not needed. The boom clutch holds angle without sag even with a heavier large-diaphragm condenser like the Neumann TLM 103 or AKG C414 on the end.

23-Inch Base Spread and 5/8"-27 Industry-Standard Top Thread

Stability and standard compatibility are the two specs that decide whether a microphone stand is fit for studio or stage. The MS7701B's 23-inch base spread is wide enough to keep the stand stable with a heavier microphone on the end of a fully extended boom — no tipping, no creep. The top thread is the industry-standard 5/8"-27, which fits virtually every microphone clip, shockmount, and accessory on the market. For European stands with 3/8" threading, a 5/8"-to-3/8" thread adapter (sold separately by On-Stage, K&M, and most accessory brands) handles the conversion.

Who the MS7701B Is For

If you are setting up a home or project studio and need one stand that handles a vocalist, a guitar amp, an acoustic guitar, and a drum overhead — this is the right stand. If you are a podcast or voiceover producer needing a tripod stand for floor-distance positioning instead of a desk boom — this is the right stand. If you are a gigging musician needing a tripod boom that survives load-in, load-out, and the back of a car — this is the right stand. Buy it once. Use it for a decade. That is the design intent of the MS7701B and it is exactly what the working studio reviews confirm.