32-Channel 4-Bus Analog Mixer, 28 Onyx Mic Preamps, 60 dB Gain Range, 128.5 dB Dynamic Range, Six Aux Sends per Channel, Four Subgroups, Dual 32-Bit RMFX+ Effects, 4x2 24-Bit USB Interface, Inline Compression, Sweepable-Mid 3-Band EQ, 100 Hz Low-Cut, 48V Phantom Power, 12-Segment Meters, Steel Chassis
The Mackie 3204VLZ4 is a 32-channel 4-bus analog mixer built around 28 boutique-quality Onyx mic preamps, six aux sends per channel, dual 32-bit effects engines, and a built-in USB recording interface, delivering a 60 dB gain range, 128.5 dB of dynamic range, and total harmonic distortion under 0.0007% across the full 20 Hz to 50 kHz band. Housed in a Built-Like-A-Tank steel chassis with sealed rotary controls and a powder-coat finish, it stands up to nightly load-ins and permanent installs alike. For the front-of-house engineer, worship tech, or studio owner who needs a large-format console without the large-format footprint, it is the mixer that finally has an input for everything.
A large console lives or dies by its front end, and the 3204VLZ4 leads with 28 of Mackie's flagship Onyx mic preamps - enough to mic a full band, a choir, and a set of backing tracks without ever running out of channels. Each preamp offers an ultra-wide 60 dB of clean gain, switchable 48V phantom power for condenser microphones, extended frequency response, and improved RF rejection that keeps cell-phone buzz and broadcast interference out of the mix. Paired with +22 dBu of line-input headroom, the preamps handle a whispered vocal or a screaming guitar cabinet with the same uncolored clarity.
The 3204VLZ4 gives every channel six full-featured aux sends and routes to four subgroups, so you can build several independent monitor mixes, feed effects units, and submix drums or vocals down to a pair of faders at the same time. The four-bus architecture lets you group large sections of the stage under single controls for fast, confident level moves, while PFL/AFL soloing lets you pre-listen to any channel or bus to pinpoint a problem mid-show without touching the main output. It is the kind of routing flexibility that a demanding live or install job actually requires.
Two independent 32-bit RMFX+ processors put 24 studio-grade effects each - reverbs, choruses, and tap delay among them - directly at your fingertips, so you can add space to vocals and depth to instruments without patching in outboard racks. A built-in 4x2, 24-bit USB interface streams the mix straight to a Mac or PC for a stereo capture of the night or a multichannel foundation for later editing, turning the console into a self-contained record-and-mix hub for gigs, rehearsals, and broadcasts.
Dynamics control is built in where you need it most: dedicated inline compression sits on channels 25 through 28 and on all four subgroups, so you can tame a hot vocal or glue a drum submix without a single outboard compressor. Channels 1 through 28 carry a musical 3-band EQ with a sweepable midrange for surgical tone shaping, the stereo channels add a 4-band fixed EQ, and an 18 dB-per-octave low-cut filter at 100 Hz strips stage rumble and mic-handling thumps from every mic channel before it hits the bus.
Mackie engineered the VLZ (Very Low Impedance) line for the working world, and the 3204VLZ4 shows it. The rugged steel chassis and powder-coat finish shrug off the knocks of touring, sealed rotary controls keep out the dust and grime that kill lesser pots, and high-contrast, high-visibility knobs and 12-segment meters stay readable under dim stage lighting. It is a console engineered to deliver the same clean, quiet performance in year ten that it delivered on day one.
Front-of-house engineers mixing full bands, houses of worship running large multi-mic services, theaters, conference centers, and studios that track live all lean on the 3204VLZ4 as a do-everything hub. With 28 Onyx preamps, six aux sends, four subgroups, dual effects engines, onboard compression, and USB recording, it consolidates an entire rack of gear into one road-ready console. When the show is big but the booth is small, the 3204VLZ4 delivers large-format capability in a footprint you can actually fit.
| MPN | 2040770-00 |
|---|---|
| Color | Black |
| Input | Combo |
| Power Source | AC Mains |
| Form | Analog Mixer |
| Output | XLR |
| Channels | 32-Channel |
| On Promo | No |
| UPC / EAN | 00663961039924 |
| Brand | Mackie |
| Product Condition | New |
| Availability | In Stock |
| Type | 32-Channel 4-Bus Analog Mixer with USB |
| Channel Configuration | 28 mono mic/line + 2 stereo line channels |
| Mic Inputs | 28 (boutique-quality Onyx mic preamps) |
| Preamp Gain Range | 60 dB (ultra-wide) |
| Dynamic Range | 128.5 dB |
| Max Line Input | +22 dBu |
| Total Harmonic Distortion | Under 0.0007% (20 Hz - 50 kHz) |
| Subgroups | 4-bus (ALT subgroup routing) |
| Aux Sends | 6 full-featured per channel |
| Onboard Effects | Dual 32-bit RMFX+ processors, 24 effects each (reverb, chorus, tap delay) |
| Inline Compression | Channels 25-28 and all 4 subgroups |
| EQ (Mono Channels) | 3-band with sweepable midrange (ch 1-28) |
| EQ (Stereo Channels) | 4-band fixed |
| Low-Cut Filter | 18 dB/oct at 100 Hz (mic channels) |
| USB Interface | Built-in 4x2, 24-bit recording to Mac/PC |
| Soloing | PFL/AFL solo modes |
| Phantom Power | 48V switchable (for condenser mics) |
| Metering | 12-segment high-resolution stereo |
| Chassis | Built-Like-A-Tank steel, powder-coat, sealed rotary controls |