Cardioid Dynamic Instrument and Vocal Mic, Moving-Coil, 60 Hz-16 kHz with Presence Lift, 2.5 mV/Pa Sensitivity, 500 Ohm Internal Impedance, Passive (No Phantom Power Required), Die-Cast Body, Hardened Steel-Mesh Grille, 3-Pin XLR, Included Mic Clip + Leather Pouch
All products manufactured by LEWITT GmbH feature a limited two-year warranty. This two-year warranty is specific to the date of purchase as shown on the original purchase receipt.
The Lewitt MTP 440 DM is a cardioid dynamic instrument and vocal microphone, a moving-coil workhorse with a frequency response of 60 Hz to 16 kHz, voiced with flat low-mids and a gentle presence lift and built into a die-cast body behind a hardened steel-mesh grille. It is the mic you reach for when you need one honest, indestructible tool that works on almost anything - a guitar cab, a snare, a horn, a voice - with no power, no fuss, and no drama. It handles the volume, shrugs off the abuse, and delivers a clear, cutting sound take after take. This is the dynamic you buy to stop worrying about the mic and get back to the performance.
A dynamic microphone captures sound with a moving coil: the diaphragm is attached to a small coil of wire suspended in a magnetic field, and as sound moves the diaphragm, the coil generates the signal directly. That simple, passive mechanism is the source of everything the MTP 440 DM does well. With no powered circuitry to overload, it withstands enormous sound pressure - the crack of a snare or the roar of a cranked amp - without distorting. With no delicate charged capsule to protect, it survives drops, bumps, and the realities of touring. And because it makes its own signal, it needs no phantom power or batteries: plug it into any XLR input and it simply works.
The MTP 440 DM keeps its low mids flat and honest, then adds a gentle presence lift of roughly 2 to 4 dB across the 3 to 15 kHz range. That upper-frequency emphasis is deliberate and musical: it places detail and articulation right where the human ear is most sensitive, so a vocal stays intelligible over a band and a snare or guitar keeps its edge instead of disappearing into the mix. You get clarity and cut without having to reach for EQ, and a natural, balanced tone that sits right the moment the fader comes up.
The MTP 440 DM hears the source in front of it and rejects sound arriving from the sides and rear - a cardioid pickup pattern. On a loud stage packed with wedges and other instruments, that directionality is what keeps you working: by ignoring the monitor behind it and the amp across the stage, the mic lets you push more level before the system rings into feedback. Point it at the source, keep the off-axis noise out, and you hand the engineer a cleaner, louder, more controllable signal.
Everything about the MTP 440 DM is built for the road. A die-cast metal body and a hardened steel-mesh grille take the knocks that end fragile microphones. A sensitivity of 2.5 mV/Pa and a 500-ohm internal impedance make it an easy, well-behaved load for any preamp, on any console or interface, through a standard 3-pin XLR. There is nothing to charge, nothing to switch, and nothing to baby - just a solid, dependable mic that does its job night after night.
The MTP 440 DM is a true generalist. In front of a guitar or bass cabinet it captures the grind and body of the amp; on a snare or tom it delivers the crack and thump that anchor a kit; on brass and woodwind it handles the volume while keeping the tone natural; on percussion it stays fast and clean. And when someone steps up to sing or speak, its presence lift and feedback resistance make it a confident live vocal and spoken-word mic too. One microphone that covers the whole stage - and the whole tracking room - is a microphone that earns its keep twice over.
The MTP 440 DM is for the working musician, the house engineer, and the project-studio owner who wants one rugged, great-sounding dynamic that never becomes the problem. It suits the band that mics its own gear, the venue that needs mics to survive a hundred shows a year, and the recordist who wants a dependable amp-and-snare mic that also doubles for vocals. Passive, durable, and voiced to cut, it is the workhorse dynamic you can trust with anything you put in front of it.
| MPN | MTP-440-DM |
|---|---|
| Color | Black |
| Element | Dynamic |
| Pattern | Cardioid |
| Power Source | Passive |
| Form | Handheld |
| Output | XLR |
| Channels | Mono |
| UPC / EAN | 847986000163 |
| Brand | Lewitt Audio |
| Product Condition | New |
| Availability | In Stock |
| Type | Dynamic (moving coil) |
| Polar Pattern | Cardioid |
| Orientation | End-address |
| Frequency Response | 60 Hz - 16 kHz |
| Presence Lift | ~2-4 dB, 3-15 kHz |
| Sensitivity | 2.5 mV/Pa |
| Internal Impedance | 500 Ω |
| Connector | 3-pin XLR |
| Power | Passive - no phantom power required |
| Body | Die-cast metal with steel-mesh grille |
| In the Box | Mic clip, leather pouch |