Lewitt LCT 50 PSx Magnetic Pop Filter for LCT Microphones

Lewitt LCT 50 PSx: A Snap-On Pop Filter With No Gooseneck to Fight

The Lewitt LCT 50 PSx is a magnetic pop filter that snaps directly onto the Lewitt LCT 40 SH, SHx, and SHW shockmounts, so it serves the whole large-body LCT microphone line through the mount those microphones ride in. Instead of a clamp and a floppy gooseneck, it uses a metal-mesh screen that a magnet holds in exactly the right place in front of the capsule, mounting and removing in a single tool-free motion. It is the tidy, repeatable way to stop plosives and keep breath moisture off your capsule without the clutter that clamp-on pop filters drag onto a desk.

How a Pop Filter Works — and Why the Magnetic Mount Matters

A pop filter defeats plosives — the bursts of air from hard consonants like "p" and "b" — by putting a fine screen between the mouth and the microphone. The mesh breaks up that fast-moving column of air so the pressure blast never slams the diaphragm as a low-frequency thump, while the sound itself passes through cleanly. Conventional pop filters bolt this screen to a clamp and gooseneck that has to be positioned every session, sags over time, and eats desk space. The LCT 50 PSx replaces all of that with a magnet: because it locates onto a fixed point on the shockmount, the screen lands at the same optimal distance from the capsule every single time, tool-free, with nothing to loosen or re-aim. The metal mesh is also easy to wipe clean and helps keep breath moisture off the capsule, protecting the microphone over the long run.

Built for the LCT 40 Shockmount and the LCT Line It Serves

The PSx is designed around Lewitt's own LCT 40 shockmounts — the SH, SHx, and SHW — which is how it manages a secure, rattle-free hold with nothing more than a magnet. Because those shockmounts are what Lewitt's large-body LCT condensers mount in, the PSx effectively becomes the pop filter for that entire family: if your microphone rides in an LCT 40 shockmount, this screen clicks straight on. Its low-profile form keeps the screen compact and unobtrusive, staying out of the vocalist's sightline and out of the camera frame — a real advantage for on-camera podcasting and streaming where a big gooseneck filter dominates the shot.

Who the Lewitt LCT 50 PSx Is For

The LCT 50 PSx is for any Lewitt LCT owner using an LCT 40 SH, SHx, or SHW shockmount who wants clean, pop-free vocals without the clutter and constant readjustment of a clamp-on filter — the vocalist, podcaster, voice actor, and streamer who values a fast, repeatable setup and a clean camera shot. It is the right pop filter when desk space is tight, when you break down and rebuild your setup often, or when you simply want a spare or an upgrade from a gooseneck screen. If your LCT microphone lives in an LCT 40 shockmount, this is the pop filter made to snap onto it.