iCON Pro Audio Harrison 32Ci Interface + Space 103 Condenser Mic Bundle

iCON Pro Audio Harrison 32Ci + Space 103: A Complete Console-Grade Vocal Chain

The iCON Pro Audio Harrison 32Ci + Space 103 bundle is a 12-in / 12-out USB-C interface paired with a large-diaphragm cardioid condenser microphone as one matched chain, both built by iCON Pro Audio. The reason to buy them together is not the box count - it is that the interface's high-gain 32C preamps and the mic's output were voiced by the same company to work as a pair rather than gambled on after the fact. The 32Ci carries two Harrison 32C console preamps at up to 70 dB, and the Space 103 fronts them with a 34 mm capsule rated to a 138 dB max SPL. A new studio ends up with a vocal chain that would otherwise take two separate, carefully matched purchases.

The Harrison 32Ci Interface

Interface duties fall to the Harrison 32Ci, whose two 32C analog preamps each push up to 70 dB of gain with individual +48V and a switchable -20 dB pad. Four analog inputs and outputs expand to a full 12 in and 12 out over a single ADAT optical port, and conversion runs to 24-bit / 192 kHz with a 129 dB DAC dynamic range. Every source in the room - mic, instrument, outboard - routes through this one hub. It is the same console-grade front end iCON ships on its own, here bundled with a mic chosen to match it.

The Space 103 Studio Condenser

The Space 103 is a large-diaphragm cardioid condenser with a 34 mm capsule, a 20 Hz to 20 kHz response, and a 3-pin XLR output. Its cardioid pattern listens to what sits in front and rejects what comes from behind, which is exactly what a spare-room studio needs to keep reflections and off-axis noise out of a take. That focus makes it a natural first mic for vocals, spoken word, and acoustic instruments alike. Fed straight from the matching interface, it becomes the front of the studio rather than one more thing to gain-stage by trial and error.

Low Self-Noise and High SPL

Self-noise sits at just 8 dB-A, low enough that the Space 103 captures a quiet, close vocal without laying hiss underneath it. At the other extreme, a 138 dB max SPL keeps the same mic clean in front of a snare or a loud cabinet, so it does not tap out when the session gets loud. Its 123 dB dynamic range spans a breathy intro and a belted chorus inside one performance. For a studio that owns exactly one microphone, that range is what makes the single mic actually enough.

A Matched Signal Chain

Matching is where the bundle earns its keep. Because one company voiced both pieces, the Space 103's output meets the 32Ci's high-gain 32C preamps without forcing the gain to a hissy extreme to reach level. The interface feeds the mic's +48V phantom power directly down the XLR, so there is no separate supply to buy or forget. What the preamps then add is 32C character on top of an already clean, quiet source - not a fight against mic noise.

Filters, Monitoring, and Expansion

The 32C sweepable high-pass and low-pass filters, with the resonant Bump switch, shape the Space 103's signal on the way to the DAW rather than after it lands. Two independent headphone outputs let talent and engineer monitor different mixes while tracking, a small thing that ends the back-and-forth of a shared cue. When one mic is no longer enough, the ADAT optical port opens eight more channels for a full band. The chain grows around the same core instead of being replaced by it.

iO Pro Software and Streaming

iCON's iO Pro virtual mixer and plugin host comes with the bundle, handling routing, plugin inserts, and loopback for streaming with no extra purchase. A USB OTG port on the UNI protocol connects a phone or tablet for a broadcast feed straight off the mic. The software pack piles on Bitwig 8-Track, Tracktion, the Kilohearts Toolbox, and the Harrison VIP plugin. A creator can record a vocal through the Space 103, process it, and stream it without opening the wallet again for software.

What's in the Box and Who It's For

In the box are the 32Ci interface, the Space 103 microphone, a shock mount, a USB-C cable, and a 12V DC supply, running on macOS 10.15 or later, Windows 10 or later, and iOS or Android. The included shock mount isolates the mic from stand and floor vibration, keeping thumps and footfall out of a quiet take. This is aimed squarely at the first-time studio owner who would rather buy one considered chain than assemble a mic, a preamp, and an interface that may or may not suit each other. For that buyer, the matching is the whole point.