Focusrite Scarlett 2i2 Studio 4th Gen USB-C Audio Interface Bundle with CM25 MkIII Condenser Mic, SH-450 Headphones, and XLR Cable

Focusrite Scarlett 2i2 Studio (4th Gen): A Complete Recording Studio in One Box for the Artist Who Wants to Hit Record Tonight

The Scarlett 2i2 Studio 4th Generation is the complete recording rig for the singer-songwriter, podcaster, streamer, and producer who wants to stop sourcing parts and start tracking. Inside the box: a 2-in/2-out USB-C audio interface with Focusrite's 4th-generation ultra-low-noise mic preamps, the CM25 MkIII large-diaphragm condenser microphone, the SH-450 closed-back headphones, a 3-meter balanced XLR cable, and a software bundle headlined by Pro Tools Intro+, Ableton Live Lite, Cubase LE, and the Hitmaker Expansion plug-in collection. Plug the mic in, slip on the headphones, open the DAW. Track one is two minutes away.

Two 4th-Generation Mic Preamps with 69dB of Gain and -127dBu EIN

Every recording starts at the preamp, and the 4th-generation Scarlett preamps are the clearest and most detailed Focusrite has ever shipped in the Scarlett line. The 69dB gain range covers low-output dynamic microphones (Shure SM7B, Rode PodMic) and high-output condensers (the included CM25 MkIII, Rode NT1, AT2020) without compromise. -127dBu equivalent input noise means even at maximum gain the noise floor stays below what a quiet room actually contains — the artist hears the performance, not the preamp. Switchable 48V phantom power is on the front panel where it belongs, and per-channel control means the condenser on input 1 doesn't force phantom power on the dynamic plugged into input 2.

Auto Gain and Clip Safe: The 4th Gen Features That End the Lost-Take Problem

Auto Gain is the feature that makes the 2i2 a recording rig for someone who has never set a mic level before. Press the button, play or speak for ten seconds, and Scarlett calculates the correct gain automatically — no peak meter staring, no trial-and-error. Once recording, Clip Safe takes over: 96,000 level checks per second, and at the first sign of impending clipping the gain pulls automatically without audible artifact. The performance keeps going, the take keeps being a take, and the artist focuses on the music instead of the interface. For first-time recordists this is the difference between recording a song and recording a level-check.

Air Mode: Two ISA-Derived Console Sounds in a Desktop Interface

Air Mode brings the legendary high-end character of Focusrite's flagship ISA mic preamps into a desktop interface. Presence mode boosts the top end for the open, detailed quality that makes vocals sit in front of the mix and acoustic guitars shimmer through a busy track. Harmonic Drive mode adds mid-range console-style harmonic content for punch on guitars, vocals, and anything that needs to push forward against the rhythm section. Both modes are switchable per channel, so the buyer can record a vocal with Presence and a guitar with Harmonic Drive on the same take. RedNet-derived 24-bit/192kHz converters carry the signal into the DAW with 120dB of dynamic range — the same conversion architecture used in commercial studios that bill by the hour.

Two Hi-Z Instrument Inputs, Loopback, and Standalone Mode

The two front-panel inputs accept Hi-Z instrument signal directly — guitar and bass plug straight in with no DI box and no amplifier required, and the line/instrument switch flips each input to line level for synthesizers and drum machines on the same hardware. Loopback routes computer audio (browser, video call, podcast guest on Zoom, game audio) into the DAW through virtual stereo inputs, so podcasters can capture both sides of a remote interview and streamers can mix game and microphone audio in a single channel strip. Standalone mode passes signal from the inputs to the outputs without a computer connected — useful for monitoring rigs, live performance setups, and house-of-worship installs where the laptop is on a different surface.

CM25 MkIII Condenser, SH-450 Headphones, and the Hitmaker Expansion Bundle

The included CM25 MkIII is a large-diaphragm cardioid condenser tuned for the bright, detailed character that flatters vocals and acoustic guitars — the two sources the Scarlett 2i2 Studio is built around. The SH-450 closed-back headphones use a custom-designed driver and plush pads for accurate monitoring across long sessions without fatigue. The 3-meter balanced XLR cable in the box is enough reach for a desk or a small live space. The Hitmaker Expansion software bundle is what justifies the bundle over the standalone 2i2: Antares Auto-Tune Access for pitch work, XLN Addictive Drums 2 and Addictive Keys for instrument tracks, Native Instruments MASSIVE for synthesis, Softube's Marshall Silver Jubilee 2555 amp sim for guitar tone, Focusrite Red 2 and 3 plug-in suites for EQ and compression, Brainworx Bx_console Focusrite SC for console emulation, Sonnox VoxDoubler for vocal width, Relab LX480 Essentials for reverb, FAST Balancer for AI-assisted mix balance, and Landr Studio with five free masters when the song is done. Pro Tools Intro+, Ableton Live Lite, and Cubase LE round out the DAW choice — every workflow is supported on day one.

Who the Scarlett 2i2 Studio Is For — Songwriter, Podcaster, Streamer, Producer

For the singer-songwriter recording vocals and acoustic guitar at home, this is the box. For the podcaster who wants studio-grade vocal capture and Loopback for remote guests, this is the box. For the streamer mixing game audio and microphone in one signal chain, this is the box. For the producer leaving USB microphones behind for proper XLR signal flow, this is the box. The buyer plugs in the USB-C cable, the mic, and the headphones, picks a DAW from the three included, and starts tracking. Nothing left to source. Nothing left to learn before pressing record.