Focusrite Scarlett 2i2 (4th Gen) USB-C Audio Interface Condenser Mic Studio Bundle with Audio-Technica AT2020 Cardioid Condenser Microphone, On-Stage MS7701B Euro Boom Stand, StreamEye Cans50 Closed-Back Headphones, Gator Pop Filter, and 10-Foot

Scarlett 2i2 4th Gen + AT2020: The Complete First XLR Studio in One Order

This bundle is built for the person sitting down to make their first real recordings — and for the USB-mic owner finally ready to step up to a proper XLR signal chain. It pairs the Focusrite Scarlett 2i2 (4th Gen) USB-C audio interface with the Audio-Technica AT2020 cardioid condenser microphone, an On-Stage MS7701B Euro boom tripod stand, a Gator 6-inch pop filter, StreamEye Cans50 closed-back headphones, and a 10-foot balanced XLR cable. Every link from capsule to converter is here, sized and matched to work together so nothing else has to be sourced before the first take.

How 69 dB of Gain and Air Mode Get a Studio Sound Out of the AT2020

A condenser like the AT2020 needs 48V phantom power and a clean, high-gain preamp to sound its best — exactly what the Scarlett 2i2's two 4th-generation preamps deliver, with 69 dB of range and -129 dBu EIN for transparent, hiss-free capture. Flip on Air Mode and the interface adds an analog-modeled presence lift and harmonic drive that brings vocals and acoustic guitar forward in the mix. Auto Gain sets the right input level in seconds, and Clip Safe runs 96,000 checks per second to keep a loud transient from ruining an otherwise perfect take.

Two Inputs, 24-bit/192kHz Conversion, and Bus Power for Recording Anywhere

Two combo XLR/TRS inputs let you track a vocal and a guitar at the same time, or run two mics for a two-person podcast. The RedNet-derived 24-bit/192kHz converters bring 120 dB of dynamic range, and color-coded Dynamic Gain Halos give you a level read at a glance. The whole interface runs on USB-C bus power from a Mac or Windows laptop, so the kit sets up on a desk, a kitchen table, or a hotel room with one cable and nothing to plug into the wall.

The AT2020 Is the Condenser Most Home Studios Start With — Here's Why

The AT2020 is a 16 mm large-diaphragm cardioid condenser with a 20 Hz to 20 kHz response, 144 dB max SPL, and a clean 74 dB signal-to-noise ratio. Its cardioid pattern rejects the sides and rear, isolating the voice in front and keeping an untreated room out of the recording. It handles everything from a soft spoken vocal to a belting singer or a loud guitar amp without distorting — the detail and low self-noise that separate a true studio condenser from a USB or gaming mic.

The MS7701B Stand and Gator Pop Filter Put the Mic Exactly Where It Belongs

Mic placement is what actually controls a recording, and the MS7701B makes it effortless: a 36-to-64-inch tripod with a removable 30-inch Euro boom and a single-handed steel midpoint clutch that locks any angle without re-tightening. Its 23-inch base spread stays stable on stage or in the studio, and the legs fold flat for transport. The Gator pop filter's 6-inch nylon screen rides an 11.5-inch flexible gooseneck, scattering the bursts of air from P, B, and T sounds before they ever reach the AT2020 — so you stop redoing takes for popped plosives.

Cans50 Headphones and a Balanced XLR Cable Close the Signal Chain

The StreamEye Cans50 closed-back headphones seal around the ear with 50 mm drivers and a 15 Hz to 25 kHz range, giving you accurate playback while passive isolation keeps monitor sound from bleeding into the open condenser. A 1/4-inch adapter is included for the 2i2's headphone output. The 10-foot balanced XLR cable carries the signal from the AT2020 to the interface with common-mode noise rejection that cancels electrical hum and RF interference across the entire run — a clean path from capsule to converter.

For the First-Time Recordist, the USB-Mic Upgrader, and the Two-Source Tracker

If you have never owned an XLR mic, this is the complete starting point — interface, condenser, stand, pop filter, headphones, and cable, all matched and ready. If you are upgrading from a USB microphone, you get the clean preamps, phantom power, and two simultaneous inputs that a USB mic can never offer. And if you already record but need a second input for vocals-plus-guitar or a two-host podcast, the 2i2 delivers it. Sit down, plug in, and record.