Desktop USB-C Audio Interface, 18-In/20-Out, 4 DiscretePRO Preamps, 119 dB Dynamic Range, Phono-Switchable Line Inputs, 4 Analog Inserts, Dual ADAT + S/PDIF Digital I/O, Bluetooth aptX/AAC Receiver, Talkback Mic, Dual Speaker Outputs, Two Stereo Headphone Outputs, MIDI I/O, 3-Port USB Hub, Up to 24-Bit/192kHz Conversion
Arturia warrants Arturia hardware products, when purchased from an authorized Arturia retailer located in the USA, to be free of defects in materials and workmanship for a period of Two (2) Years from the original date of purchase. Arturia will repair Arturia hardware products found to be defective within that period, at its sole option, without charge for parts or labor provided its failure resulted from a defect in material or workmanship.
The Arturia AudioFuse Studio is an 18-in/20-out desktop USB-C audio interface designed as the control center of a home or project studio, combining four DiscretePRO preamps with monitor switching, talkback, and Bluetooth in one tabletop chassis. It handles microphones, instruments, turntables, and outboard gear at up to 24-bit/192kHz, then routes everything through a hands-on top panel built for daily tracking and mixing. Where most interfaces are a box you hide behind the desk, the Studio is meant to sit in front of you as the surface you actually operate the room from. For the musician building a studio that has to do everything, it is the one interface you set up once and reach for on every session.
Four mic/instrument/line preamps built on Arturia's DiscretePRO technology deliver a 119dB dynamic range and input noise below -129dBu, giving every source an exceptionally clean and quiet front end. DiscretePRO gain stages are assembled from discrete transistors instead of a single integrated chip, which lowers self-noise and keeps fast transients intact, the difference you hear on a close-mic'd vocal or an acoustic guitar. With four independent preamps, you can track a drum overhead pair, a vocalist, and a guitar amp simultaneously without borrowing a channel. For the podcaster or band recording several people at once, four matched preamps mean everyone gets the same broadcast-grade path into the DAW.
The Studio offers 18 inputs and 20 outputs in total, blending its four preamp channels with additional line inputs, digital I/O, and multiple output paths. That channel count lets you keep microphones, synthesizers, and outboard processors patched in permanently while still leaving room for expansion, so a session never stalls on not having enough inputs. Because inputs and outputs are addressable independently in the DAW, you can build complex monitor mixes, parallel hardware chains, and stem outputs at the same time. For a producer whose setup keeps growing, the high I/O count is what keeps a desktop interface viable as the studio matures.
Line inputs 5 and 6 switch to phono level, letting you connect a turntable directly to the interface without a separate preamp. A phono input applies the RIAA equalization curve and the extra gain that vinyl playback requires, correcting the deliberately altered signal cut into a record so it plays back at the right tone and level. This makes the Studio a natural hub for digitizing a record collection or sampling vinyl into a beat directly inside the DAW. For the producer who builds tracks from crate-dug samples, having phono inputs on the interface removes an entire piece of outboard gear from the chain.
An onboard Bluetooth receiver supports the aptX and AAC codecs, letting a phone or laptop stream audio wirelessly into the interface and your DAW. aptX and AAC are higher-quality Bluetooth codecs that compress audio more efficiently than the baseline standard, preserving noticeably more detail on a wireless stream. In practice this lets a songwriter pull a reference track or a collaborator's idea straight off a phone and into the session for comparison or sampling. For anyone who writes to reference mixes or works with sketches sent over the phone, wireless streaming into the DAW removes the cable-and-adapter fumble entirely.
The first four channels feature analog inserts, hardware send-and-return points placed in the signal path before the converter. An insert lets you patch an outboard compressor or EQ directly into a channel so the hardware processes the signal on the way in, printing the analog character to the recording rather than adding it later in software. This is how engineers commit to a sound at the source, tracking through a favorite compressor to capture its behavior on a vocal or bass performance. For the hybrid mixer who owns outboard gear, per-channel inserts turn the Studio into the patchbay that ties analog processors into a software workflow.
Two pairs of balanced TRS speaker outputs, a built-in talkback microphone, and two independent stereo headphone outputs make the Studio a complete monitoring control center. A/B speaker switching lets you instantly compare a mix across two sets of monitors, a standard control-room check because different speakers reveal different problems in a balance. The talkback mic pipes your voice into the performers' headphone feeds at the press of a button, and the two independent headphone outs let engineer and artist each dial in their own level. For the room where one person tracks another, these monitoring controls replace a separate monitor controller and headphone amp with the interface itself.
For expansion, the Studio adds up to ten digital channels through dual optical ADAT and S/PDIF on RCA, with word clock sync and a three-port USB-C hub. ADAT carries eight channels of audio down one optical cable and is the port that connects the Arturia AudioFuse X8 IN and X8 OUT expanders, while S/PDIF handles a stereo digital pair and word clock keeps every device locked to a single master clock. The built-in USB hub passes through connections for controllers and drives so a laptop rig stays anchored to one cable. Whether you are a first-time home recordist, a podcaster upgrading from a basic two-in interface, or a producer comparing desktop hubs with real monitor control, the Arturia AudioFuse Studio is built to run the whole room from the top of your desk.
| MPN | 830101 |
|---|---|
| Color | Black |
| Input | XLR/TRS Combo, TRS, RCA (Phono/S-PDIF), ADAT |
| Power Source | External Power Supply |
| Form | Audio Interface |
| Output | TRS, RCA (S-PDIF), ADAT |
| Channels | Multi |
| UPC / EAN | 3760033531465 |
| Brand | Arturia |
| Product Condition | New |
| Availability | In Stock |
| Form Factor | Desktop |
| Host Connection | USB-C, with 3-port USB hub |
| Channel Count | 18 in / 20 out |
| Preamps | 4x DiscretePRO mic/inst/line, 119 dB dynamic range, < -129 dBu input noise |
| Analog Inputs | 4x DiscretePRO (XLR/TRS combo), 4x line (inputs 5-6 phono-switchable), 4 inserts on ch 1-4 |
| Analog Outputs | 2x balanced TRS speaker pairs, 2x independent stereo headphone (6.35mm + 3.5mm) |
| Digital I/O | Dual optical ADAT + S/PDIF (RCA), word clock (up to 10 digital channels) |
| Bluetooth | Receiver with aptX and AAC |
| MIDI | In / Out via mini-jack |
| Resolution | Up to 24-bit / 192kHz |
| Talkback | Built-in talkback microphone |
| Power | 18V external power supply (included) |