10-Channel Hybrid Compact Mixer and 4x4 USB Audio Interface, 24-Bit / 96kHz, 4 Mono Mic/Line Channels (2 with Hi-Z Instrument Inputs) + 2 Stereo, GSPre Boutique Preamps, Switchable 48V Phantom, 3-Band EQ, Balanced XLR / Monitor / Headphone Outputs, No FX
Allen & Heath warrants Allen & Heath branded hardware products and accessories contained in the original packaging against defects in materials for a period of ONE (1) YEAR from the date of original purchase by the end-user purchaser.
The Allen & Heath ZEDi-10 is a ten-channel hybrid mixer that is equally a standalone analog console and a 4x4 USB audio interface running at 24-bit / 96kHz. The ZEDi range exists to erase the line between a mixer and a computer interface: instead of buying an analog mixer for live use and a separate interface for recording, the ZEDi-10 is both at once. That dual identity suits the modern creator who tracks in a DAW one day and mixes a small gig the next, all from the same desk. It pairs Allen & Heath's boutique-grade preamps with genuine multitrack USB, so the quality of the recording matches the quality of the front end. For a home studio, a podcast or a small stage, it is a single device that covers analog and digital work.
The defining feature of the ZEDi-10 is its 4x4 USB interface, which carries four discrete channels into the computer and four back out, all at 24-bit resolution and up to a 96kHz sample rate. This is real multitrack recording, not a single stereo capture: two microphones and a stereo pair, or a small band, can each land on their own track in the DAW for independent editing and mixing. The 24-bit / 96kHz spec means high resolution and low noise, the standard that serious recording uses, and reviewers single out the studio-grade converters as a highlight. Four return channels also allow flexible monitoring and re-amping setups. That capability is what makes the ZEDi-10 a genuine recording tool rather than a mixer with a token USB port.
Four mono channels each carry a GSPre preamp, Allen & Heath's boutique-grade microphone preamplifier design praised for detailed, natural sound. Because the preamp defines the ceiling of recorded quality, putting a genuinely high-grade one on a compact desk is what separates the ZEDi-10 from ordinary interface-mixers. Two of those channels add high-impedance instrument inputs, so a guitar or bass plugs in directly without a DI box and keeps its full tone. Switchable 48V phantom power runs condenser microphones, and three-band EQ shapes each channel cleanly. Users describe the preamps and converters as studio-grade with clean, detailed sound, which is exactly what a producer wants tracking vocals, guitars and keys.
Unlike the ZEDi-10FX, the ZEDi-10 has no onboard effects, and that is a deliberate choice for the recordist who wants a completely clean signal to work with. In a recording context, a dry track is the flexible one: effects are added later in the DAW where they can be tuned, automated and undone, so capturing without them preserves every option. The output section provides balanced XLR main outputs plus dedicated monitor and headphone outputs, covering both a PA feed and studio monitoring. Housed in a solid metal chassis and powered from an external adapter, the ZEDi-10 lands in home and project studio recording, podcasting and multitrack streaming, small live gigs, rehearsal recording and content creation. For a creator who wants Allen & Heath preamps and real 4x4 multitrack USB in one clean, dry desk, the ZEDi-10 is the direct answer.
Beyond its four mono channels, the ZEDi-10 provides two stereo channels on 1/4 in line pairs, for keyboards, drum machines, or the return from an external device. Stereo channels hold those sources in their correct left-right image on a single strip, so the four GSPre mono channels stay free for microphones and instruments. On the output side, dedicated monitor and headphone outputs sit alongside the balanced XLR mains, letting a producer set up a separate cue mix for tracking while the mains feed studio monitors or a PA. That separation of monitor and main outputs is what makes overdub sessions and small live sets practical from one desk. For a home studio juggling mics, keys and a computer, the stereo inputs and independent monitoring keep the whole setup on a single compact surface.
| MPN | AH-ZEDi10 |
|---|---|
| Color | Black |
| Input | 4 XLR mic/line (2 Hi-Z) + 2 stereo |
| Power Source | AC Mains |
| Size | 13.1in W x 10.8in D x 3.8in H |
| Form | Analog Mixer |
| Output | XLR main, monitor, headphone, 4x4 USB |
| Channels | 10 |
| On Promo | Yes |
| UPC / EAN | 6938122243392 |
| Brand | Allen & Heath |
| Product Condition | New |
| Availability | In Stock |
| Total Channels | 10 (4 mono mic/line, 2 with Hi-Z instrument, 2 stereo) |
| Mono Channels | 4 XLR mic + line, 2 with high-impedance instrument inputs, GSPre preamps, switchable 48V phantom, 3-band EQ |
| Stereo Channels | 2 (1/4 in line pairs) |
| USB Audio | 4x4 USB interface, 24-bit / 96kHz |
| Effects | None (dry ZEDi-10) |
| Outputs | Balanced XLR main, monitor, headphone |
| Power | External power adapter (AC mains) |