8x4 AudioRack Digital I/O Expander, 8 XLR Recallable Mic/Line Inputs, 4 XLR Line Outputs, dSNAKE over Single Cat5, Locking EtherCON Port, 19-Inch Rackmount, Black
Allen & Heath warrants Allen & Heath branded hardware products and accessories contained in the original packaging against defects in materials for a period of ONE (1) YEAR from the date of original purchase by the end-user purchaser.
The Allen & Heath AR84 is an 8-in / 4-out AudioRack, a compact digital stagebox that adds remote recallable I/O to an Allen & Heath system over a single Cat5 cable. It is the small sibling to the AR2412, sized for the drum riser, the monitor position or the corner of the stage where you need a handful of extra channels without dragging a full rack. For the engineer who is a few inputs short at a satellite position, the AR84 is the neat answer. It carries eight remote preamps and four outputs in a slim rackmount box. Everything routes back to the console digitally, so the extra I/O behaves like part of the main desk. This is expansion that takes minutes, not a re-cable of the whole stage.
The AR84 works two ways. Connected straight to a Qu, SQ or Avantis console it is a standalone 8x4 stagebox, ideal for a smaller stage that only needs a compact block of I/O. Connected to the expander port of an AR2412 it adds its eight inputs and four outputs to an existing system, and a rig can carry up to two AR84 units this way. That flexibility lets the same box serve a small acoustic setup one night and a satellite drum position on a bigger stage the next. Because it uses the same dSNAKE transport as the rest of the family, integration is a single cable and a patch. One product covers both the small-rig and the expansion role, which keeps inventory simple.
Like the larger AudioRacks, the AR84 sends its audio over dSNAKE on a single Cat5 cable up to roughly 330 ft (100 m), converting mic and line signals to digital right at the stagebox. It uses a locking EtherCON port, a ruggedized network connector that clicks into place so the cable cannot be pulled loose in the chaos of a live stage. Converting at the source keeps the mic-level signals out of a long analog run, protecting headroom and signal-to-noise. The bidirectional link carries the four output feeds back down the same cable that brings the eight inputs in. For a sub-position that has to stay connected through a whole show, that locking, one-cable link is exactly the right level of ruggedness.
Each of the eight inputs uses a remote-controlled preamp with up to +60 dB of gain, a -20 dB pad for line-level sources and switchable phantom power for condensers and active DIs. Gain and phantom are set from the console and stored in the show scenes, so the AR84's inputs recall alongside the rest of the rig with no trip to the stage. The four XLR outputs handle additional monitor sends, an amp feed or a record split from wherever the box is placed. That scene recall is what makes the extra I/O feel like a native part of the console rather than a bolt-on. It is remote-preamp control scaled down to a compact, portable footprint.
The AR84 suits monitor engineers adding channels at a drum riser, worship and theater techs feeding a choir or orchestra section, and small production companies whose whole input list fits in eight channels. It also serves as a portable digital snake for compact Qu and SQ setups where a 24-channel rack would be overkill. Wherever a few remote inputs and outputs are needed away from the main stagebox, the AR84 drops in over one cable. It is the flexible connector between a growing input list and a fixed console position. Small, rugged and recallable, it earns a permanent spot in most Allen & Heath touring and install kits.
The AR84 ships in a 19-inch rackmount chassis with mounting hardware, so it bolts into a stage rack or a compact road case. Its slim format takes little rack space while still delivering pro recallable preamps and a locking network port. The build is made for repeated transport, patching and the knocks of stage life. For a box that often lives at an exposed satellite position, that road-ready construction matters as much as the I/O count. Racked once, the AR84 is built to be trusted show after show.
| MPN | AH-AR2-84-BLK |
|---|---|
| Color | Black |
| Input | 8x XLR mic/line |
| Power Source | AC Mains |
| Size | 19-inch rackmount |
| Form | I/O Expander |
| Output | 4x XLR line |
| Channels | 8 in / 4 out |
| On Promo | No |
| UPC / EAN | 6938122241930 |
| Brand | Allen & Heath |
| Product Condition | New |
| Availability | In Stock |
| Product Type | Remote Digital I/O Expander (AudioRack) |
| Inputs | 8 XLR mic/line with remote recallable preamps |
| Outputs | 4 XLR line outputs |
| Preamp | +60 dB gain, -20 dB pad, switchable phantom power |
| Transport | dSNAKE over a single Cat5 cable, up to ~330 ft (100 m); locking EtherCON port |
| Sample Rate | 48 kHz |
| Expansion | Direct to console or as expander off an AR2412 (up to two per system) |
| Compatibility | Qu, SQ, Avantis consoles and AHM matrix processors |
| Format | 19-inch rackmount |
| In the Box | AR84 AudioRack, rackmount hardware |